Senin, 24 November 2014

[A683.Ebook] Download PDF Leave It to Psmith, by P. G. Wodehouse

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Leave It to Psmith, by P. G. Wodehouse

“P.G. Wodehouse is still the funniest writer ever to have put words on paper.” ―Hugh Laurie

Ronald Psmith (“the ‘p’ is silent, as in pshrimp”) is always willing to help a damsel in distress. So when he sees Eve Halliday without an umbrella during a downpour, he nobly offers her an umbrella, even though it’s one he picks out of the Drone Club’s umbrella rack. Psmith is so besotted with Eve that, when Lord Emsworth, her new boss, mistakes him for Ralston McTodd, a poet, Psmith pretends to be him so he can make his way to Blandings Castle and woo her. And so the farce begins: criminals disguised as poets with a plan to steal a priceless diamond necklace, a secretary who throws flower pots through windows, and a nighttime heist that ends in gunplay. How will everything be sorted out? Leave it to Psmith!

  • Sales Rank: #122144 in Books
  • Brand: Brand: W. W. Norton n Company
  • Published on: 2012-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 5.50" l, .50 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Review
"Wodehouse is the funniest writer--that is, the most resourceful and unflagging deliverer of fun--that the human race, a glum crowd, has yet produced." --Anthony Lane, The New Yorker

“He who has not met Wodehouse has not lived a full life.”� --San Francisco Chronicle

From the Inside Flap
One of the most perennially popular of all the Wodehouse titles, Leave it to Psmith, according to Wilfrid Sheed, "helps to usher in the Wodehouse golden age" -- the age of Bertie Wooster and Jeeves, Blandings Castle and all the rest, among whom the ingenious Psmith ("The p is silent, as in phthisis, psychic, and ptarmigan") is entirely worthy to be counted. A debonair young Englishman who has quit the fish business, "even though there is money in fish and decided to support himself by doing anything that he is hired to do by anyone, Psmith, wandering in and out of romantic, suspenseful and invariably hilarious situations, is in the great Wodehouse tradition.

From the Back Cover
A Blandings novel

Lady Constance Keeble, sister of Lord Emsworth of Blandings Castle, has both an imperious manner and a valuable diamond necklace. The precarious peace of Blandings is shattered when her necklace becomes the object of dark plottings, for within the castle lurk some well-connected jewel thieves – among them the Honourable Freddie Threepwood, Lord Emsworth’s younger son, who wants the reward money to set up a bookmaking business. Psmith, the elegant socialist, is also after it for his newly married chum Mike. And on patrol with the impossible task of bringing management to Blandings is the Efficient Baxter, whose strivings for order lead to a memorable encounter with the castle flowerpots.

Will peace ever return to Blandings Castle...?

Most helpful customer reviews

48 of 49 people found the following review helpful.
Unlike olives, Psmith is not an acquired taste!
By Jason Dejoannis
If you own 10 Wodehouse books, this should be one of them. For years I have been a huge fan of the farcical Bertie & Jeeves stories. This book also throws some romance and a touch of mystery into the brew. Be careful that you are not in public or that you are not in the middle of having a drink when you reach page 198, because I am warning you - you will erupt into a fit of freakish laughter which probably won't subside for another 5 or 10 minutes, with intermittent relapses thereafter.
The eccentric and congenially self-absorbed Wodehousian hero of this novel is Psmith - pronounced with a silent P as in Ptarmigan (he finds that his birth name, Smith, is just too boring). Although he holds a membership to London's six most exclusive clubs and never a wrinkle or misplaced crease did find its way into his impeccable attire, he finds himself in dire financial straits. To make it worse, while lounging in the smoking-room window of the Drones Club, he instantly falls in love with a passing young dainty - but he has no idea how to introduce himself into her society.
Yet there might be a solution to his problems through the ad for work-wanted that he recently placed in the Morning Globe. In the caption he expresses the sentiment that he will take on any job whatever (including assassinating Aunts) except for anything relating to fish. You have a problem? "Leave it to Psmith!"
He ends up impersonating a well-known Canadian poet in order to introduce himself onto the guest list at beloved Blandings Castle, presided over by the eminent Lord Emsworth. While there he must steal a diamond necklace from under the tireless eye of The Efficient One - Emsworth's flower-pot-wielding secretary Baxter. Enjoy!

17 of 17 people found the following review helpful.
The best of the Psmith series
By Paul Donovan
"Leave it to Psmith" concludes the evolution of the Psmith character, from Wodehouse's earliest style of writing with the "Schools" genre, to a comic character whose dialogue keeps the reader entertained throughout. This story sees Psmith enter into Blandings Castle, and though Lord Emsworth is not the dominant character he later becomes, flashes of brilliance are visible in his appearances (and in those of Lady Constance, who plays an important role in this book).
"Leave it to Psmith" is packed full of witty dialogue, readily suited to Psmith's character, and the traditional Wodehouse farce for the plot (misunderstandings, a stolen necklace, and so forth). The ending is predictable, of course, but this is hardly the point. It is the use of language that makes this such an enjoyable tale. Wodehouse connoisseurs all have their own favourite phrases, or particular sections of books that strike them as humorous from the prolific collection of Wodehouse's works. Suffice to say, several of my personal favourite sections appear in this book - Psmith at the employment agency, or describing his career as a fishmonger spring to mind. Those who enjoy the Blandings or Jeeves and Wooster series would do well to read this book.

17 of 18 people found the following review helpful.
The First Potty Doings at Blandings Castle
By Donald Mitchell
Leave It to Psmith (pronounced "Smith") is the first P.G. Wodehouse novel about Blandings Castle and its inmates, Clarence, ninth earl of Emsworth, his daunting sister, Lady Constance Keeble and Beach, the butler. Fans of later Blandings Castle tales will be a little puzzled by this one. Clarence is obsessed with flowers and gardening rather than pigs. The Empress of Blandings is nowhere in sight. And the main plot catalyst is Psmith, that remarkable public school character from the early Wodehouse novels, rather than Galahad Threepwood or Uncle Fred.

Although this is not the best of the Blandings Castle tales, it has one of the best plots and does an effective job of introducing the ongoing characters and jokes. The interrelationships of the characters in the past and present are remarkable for their complexity and present lots of deja vu scenes.

Psmith and Clarence are two of Wodehouse's finest creations and the central joy of this book is found in their extended interactions.

As usual, love and money are at the bottom of the plot. Psmith cannot bear to be in the fish business any longer and advertises that he will do anything -- even commit a crime -- to get a change of pace. Clarence's son, Freddie Threepwood, contacts Psmith and asks him to help with an inside-the-family theft of his aunt's necklace. Although his uncle is rolling in the stuff, Lady Constance keeps him on a short leash. Freddie's uncle will give her another necklace like the one that's "stolen" and use the money to help Freddie and his uncle's step-daughter Phyllis. Freddie needs the money to attract a bride and Phyllis needs to help her new husband get a start on life.

Like the other Blandings Castle stories, the castle is full of imposters. Psmith himself is posing as a poet, but is constantly being unmasked by those who choose to keep his secret for a time.

Complications come when Psmith finds himself falling in love with a young woman whom he spies outside the Drones Club needing an umbrella. The young woman turns out to be on her way to Blandings Castle as well. It also turns out that Freddie has been proposing to her, but hasn't worn her down yet. Who will win the fair maiden?

The book has some of the funniest scenes in it that you can imagine involving flower pots. It's an inspired beginning to the many jokes that follow in later books about potty people residing at Blandings Castle.

Capital. Capital. Capital.

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Jumat, 21 November 2014

[S177.Ebook] Free PDF Battle Royale: Remastered (Battle Royale (Novel)), by Koushun Takami

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Battle Royale: Remastered (Battle Royale (Novel)), by Koushun Takami

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Battle Royale: Remastered (Battle Royale (Novel)), by Koushun Takami

Koushun Takami's notorious high-octane thriller envisions a nightmare scenario: a class of junior high school students is taken to a deserted island where, as part of a ruthless authoritarian program, they are provided arms and forced to kill until only one survivor is left standing. Criticized as violent exploitation when first published in Japan—where it became a runaway best seller—Battle Royale is a Lord of the Flies for the 21st century, a potent allegory of what it means to be young and (barely) alive in a dog-eat-dog world.

A new translation by Nathan Collins.

  • Sales Rank: #89892 in Books
  • Brand: imusti
  • Published on: 2014-04-01
  • Released on: 2014-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.80" w x 5.25" l, 1.27 pounds
  • Binding: Paperback
  • 600 pages
Features
  • Haikasoru

About the Author
Koushun Takami was born in 1969 in Amagasaki near Osaka and grew up in Kagawa Prefecture of Shikoku, where he currently resides. After Graduating from Osaka University with a degree in literature, he dropped out of Nihon University. From 1991 to 1996 he worked for the prefectural news company Shikoku Shinbun. Battle Royale, completed after Takami left the news company, was a finalist for the Kadokawa Mystery Prize, but ultimately lost due to the controversy the novel's content provoked among jury members. With its publication in Japan in 1999, Battle Royale received widespread support from young readers and became a best seller. In 2000, it was adapted as a manga and made into a popular feature film.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Must-buy for those who want a great book with bloody deaths and a decent plot!
By Amazon Customer
Battle Royale.

The book picks up and seldom goes down - if you're really into a very gritty and an unnecessarily gory high school showdown - immediately purchase this book.

I was very surprised by how detailed this book was. If you get queasy by thinking of these things, I do not recommend.

The characters were nice and fleshed out (albeit somewhat hard to manage due to the dozens of names...), the action was spot on, and the plot itself consistently stayed interesting.

4.5/5 stars.

5 of 6 people found the following review helpful.
Excellent Book But It is Dark
By Ruth
This is a dark book. I mention that in advance because I don't usually read fiction this dark. But this was a referral from someone I knew and liked, so I bought a copy. This English translation, by the way, is excellent.

The basic setup of this book is that a 9th grade class has been selected to go to an island and fight until only student is alive. They are given collars that track their every move, and the people in charge can hear everything they're saying. Sections of the island are off limits at different times, and if they happen to be in an off-limit area, the collar will explode, thereby killing them. So they have to constantly be on the move.

Three main characters emerge in the story, though we are given pretty much the point of view and background of every character in it. This can slow down some of the reading, even though I will admit it made for some heart wrenching moments and really brought home some of the horror of an entire class being told they must kill each other. This is a violent book. The author goes into detail over the way everyone dies.

But that being said, there is a spark of hope in the middle of all the horror that takes place. This emerges best in the three main characters, two boys and a girl, who are desperately trying to find a way to stay alive and escape the island. I won't give the ending away, but it was one of the best endings I've ever read in a book. There was a great twist, and though I can't say this book gave me a warm and fuzzy feeling, it did satisfy me. I'd recommend this to people who are okay with reading darker fiction. I wouldn't recommend it to those who prefer light reading.

0 of 0 people found the following review helpful.
There's only one word to describe this novel: Masterpiece.
By Amazon Customer
I saw the movie first and ever since I watched it, it has truly become my all-time favorite film. And the novel is just as amazing, if not better. My next goal is collecting all the manga volumes and read the whole series. If you enjoy drama, suspense, horror, blood, guts, and truly messed up situations as this class finds itself in, do yourself a favor and read this gem. 5/5

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[Q238.Ebook] PDF Download Natural Health , Natural Medicine, by Andrew, M. D. Weil

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Natural Health , Natural Medicine, by Andrew, M. D. Weil

  • Sales Rank: #11439020 in Books
  • Published on: 1990
  • Number of items: 1
  • Binding: Paperback

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Selasa, 18 November 2014

[C552.Ebook] PDF Download General System Theory: Foundations, Development Applications. 1969 Edition, by Ludwig von Bertalanffy

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General System Theory: Foundations, Development Applications. 1969 Edition, by Ludwig von Bertalanffy

  • Sales Rank: #5903359 in Books
  • Published on: 1969
  • Number of items: 1
  • Binding: Hardcover

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Sabtu, 15 November 2014

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Makes Me Wanna Holler: A Young Black Man in America

  • Sales Rank: #501172 in Books
  • Binding: Paperback

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[N837.Ebook] Ebook Download Learn Unity for Windows 10 Game Development, by Sue Blackman, Adam Tuliper

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Learn Unity for Windows 10 Game Development, by Sue Blackman, Adam Tuliper

This book will take you through the process of creating a game for the Windows Phone market with a heavy emphasis placed on optimization and good design decisions. On your way, you will be introduced to key Unity concepts and functionality, weigh the pros and cons of various possibilities, and gain a good working knowledge of scripting in the Unity environment using both JavaScript and C#.

Learn Unity for Windows 10 Game Development�starts by exploring the Unity editor and experimenting with staple game functionality. If you are new to scripting or just new to C#, you will be able to investigate syntax, commonly used functions, and communication required to bring your ideas to life. With the book's included art assets, you will learn the ins and outs of asset choices and management while making use of Unity's 2D physics, Shuriken particle systems and Mecanim's character and state management tools.

Finally, you will bring it all together to create a multi-level game as you learn how to incorporate mobile specific functionality, test on a Windows Phone device, and others for Windows 10 and ultimately, publish your game to the Windows App Store. You'll even learn about marketing and monetization in the mobile game market.

What You Will Learn:

  • C# basics for Unity
  • Working with the Unity Editor
  • Managing assets
  • Using the Mecanim animation system
  • 2D features and physics
  • Setting up your game for Windows Phone and other devices

Who This Book Is For:

Game developers, hobbyists and game dev students who are new to Unity or Windows Mobile game development or both. JavaScript and C# experience are helpful, but C# experience is not required.


  • Sales Rank: #5543327 in Books
  • Published on: 2016-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .0" w x 7.52" l, .0 pounds
  • Binding: Paperback
  • 385 pages

From the Back Cover

This book will take you through the process of creating a game for the Windows Phone market with a heavy emphasis placed on optimization and good design decisions. On your way, you will be introduced to key Unity concepts and functionality, weigh the pros and cons of various possibilities, and gain a good working knowledge of scripting in the Unity environment using both JavaScript and C#.

Learn Unity for Windows 10 Game Development�starts by exploring the Unity editor and experimenting with staple game functionality. If you are new to scripting or just new to C#, you will be able to investigate syntax, commonly used functions, and communication required to bring your ideas to life. With the book's included art assets, you will learn the ins and outs of asset choices and management while making use of Unity's 2D physics, Shuriken particle systems and Mecanim's character and state management tools.

Finally, you will bring it all together to create a multi-level game as you learn how to incorporate mobile specific functionality, test on a Windows Phone device, and others for Windows 10 and ultimately, publish your game to the Windows App Store. You'll even learn about marketing and monetization in the mobile game market.

About the Author
Sue Blackman has been an instructor in the 3D field for nearly 20 years at art schools and community colleges. She has been involved with the commercial development of real-time 3D engines for more than 10 years. In the past, she has been a contributing author for New Riders Press (Max4 Magic) and written for AMC Siggraph on serious games. She has written product training materials and instruction manuals for developing content with real-time 3D applications, used by multimedia departments in Fortune 1000 companies including Boeing, Raytheon, and Lockheed Martin, among others. In addition to writing and teaching, Sue has been the lead 3D artist on several games for Activision and its subsidiaries.

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Jumat, 14 November 2014

[Y304.Ebook] PDF Download Conflicted on 5th: A 5th Avenue Romance Novel, Book One (5th Avenue Romance Series 1), by Abbie St. Claire

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Conflicted on 5th: A 5th Avenue Romance Novel, Book One (5th Avenue Romance Series 1), by Abbie St. Claire

International Best Selling Author, Abbie St. Claire brings you Conflicted on 5th. There is no cliffhanger in this version, it has been removed.

Widower and orthopedic surgeon, Ian Briggs has room in his life for two things, his practice and his son, Oliver. A forced relocation shakes up more than his sense of direction when he finds himself captivated and lusting for his new neighbor.

Chelsie Peterson is piecing together the shattered fragments of her life. A divorce from her cheating and emotionally abusive husband leaves her a single mother and doubting her value as a woman.

Fiery impulses entice Ian and Chelsie to surrender to a passionate and inconvenient romance. Is there more than the desire to escape the frenzy of life that binds them?

Chance made them neighbors. Chemistry makes them lovers. Will fate make them a family?

  • Sales Rank: #168103 in eBooks
  • Published on: 2015-03-24
  • Released on: 2015-03-24
  • Format: Kindle eBook

Review
5 Stars: Heidi, GoodReads


Conflicted on 5th Avenue was a richly enchanting tale of learning to trust again after you've been burned by someone you love. Learning to open your heart again after the love of your life is tragically taken away in the prime of life, leaving you with a deep hole inside your heart.

This was a beautiful story of learning to let the past go and embrace what the future brings. It was beautifully written, had me in tears at some places, and laughing in others. What I loved the most about the story is how real it felt for me. The feelings of loss, regret, anger, hurt, insecurity, fear of the unknown, and being hopelessly in love with someone who seems a bit intense.

Abbie St. Claire has outdone herself with this book.



5 STARS: Nicole, GoodReads

Abbie St. Claire has done a beautiful job once again with her new series. This book is wonderfully written and I loved it. Ian is a widower who is living his life day to day . He lost the love of his life. Now a new opportunity is presented him. He is conflicted to take it. How will this affect his son? Chelsea is a wounded soul. Betrayed by the one who you should be able trust with all your soul. As this story progresses these two learn they have to let the past go in order to move forward. They must learn to communicate, love and trust once again. This story is so full of emotion and you can connect with them at some point in the book. You get angry, cry, laugh and get worried as what is going to happen next. I can not wait for the next installment of this story. I want to see how Ian and Chelsea grow and flourish as a couple. Abbie has really out done herself with this book. I give this book 5 star's.

Most helpful customer reviews

7 of 7 people found the following review helpful.
4.5 Steamy Stars
By Honolulubelle
Favorite Quotes:

“What we were doing was like a prelude to a fairytale,”

“Ian, people put up walls to make others try harder. It’s human nature to want to be worthy.”

“Women can’t figure out inches because they’ve been lied to for centuries,”

“Shoes and handbags were my best friends, next to Shawna and my Bunco Sisters. I didn’t have a gazillion pairs, but the ones I did have were investments – small sinful assets.”

“My love for you needed time to bury my darkness.”

My Review:

Abbie St. Claire has a comfortable, enjoyable, and relaxed writing style. Her stories are easy to read and follow, deliciously steamy, and never fail to entertain. Amidst the sizzle there are always interesting and insightful stories of human foibles and personal struggles. Conflicted on 5th Avenue involves a belated sexual coming-of-age for a single mother in her mid-thirties, who was shattered in her divorce from a philandering husband - who took her self-confidence with him when he left her for a younger woman. She is inexperienced and self-conscious, but is slowly discovering herself with an attractive new neighbor who happens to be a sexy widower/single dad who is highly experienced in pleasure. Where is this neighborhood? I want to move there. The characters are likable and complex and the story is involving and well plotted. Be warned that it ends in a cliffhanger – thankfully I have the next installment already loaded on my beloved kindle, which I am going to immediately dive into.

6 of 6 people found the following review helpful.
So Good!! I'll definitely read the next book in the series.
By Globug
I was drawn to this story when I read that it was about a single dad. So far the few books I've read with single dad's have been excellent. I'm happy to say Conflicted on 5th Avenue did not disappoint.

Ian lost his wife in a tragic accident only months after their son Oliver was born. He spent years trying to manage as a single parent and when he finally entered into a new relationship with another single parent that also had a son things turned ugly. She was a bit psycho and her kid turned out to be a bully. So it's no wonder he chose to go the nail and bail route with an occasional visit to the sex club while his main focus became his son's happiness and his job as a doctor.

Chelsie was content with her son Ty being the only one to share her heart with. She was left with severely damaged self-worth after her cheating husband blamed her citing she was a bad lover. She had almost forgotten that she had a sex drive until she laid eyes on her new neighbor Dr. Ian Briggs. Of course she was too insecure to imagine he could be interested in her.

I loved that Ian immediately saw something in Chelsie that made him consider finding love again. I also loved the supporting characters Shawna and Jorge that are Chelsie's best friends and neighbor. They were huge supporters of a developing relationship between Chelsie and Ian. Chelsie's insecurities form the biggest road blocks. Their sexual chemistry is off the charts and their kids get along perfectly. When they're finally ready to let the boys know about their relationship it's Oliver that complicates things.

And that is where the story ended. Damn those cliffhangers. The title Conflicted truly suited the story. I can see it applying to Ian and Oliver in different ways. Poor Oliver has no memories of having a mother and the first woman his father introduced into his life included a son that beat him up. He's bound to be conflicted over any future relationships his dad may have. I can definitely say I look forward to reading the next book "Complicated" and hope for a happily ever after.

3 of 3 people found the following review helpful.
Steamy, Hot, Romance
By verasbookreviewsandstuff
Handsome Talented Doctor
Beautiful Next Door Neighbor
Love And Romance on 5th Avenue

STORY LINE:

Author Abbie St. Claire has created an emotional novel of need, insecurities, and love. Widower Dr. Ian Briggs is raising his son, Oliver, trying to deal with his wife's death, and has a thriving surgical career. He will do anything for his small son including moving from Los Angeles, California to Dallas, Texas to insure his son is longer bullied in school.

Chelsie Peterson, divorced, is raising her son, Ty, with little help from his absent father. She is insecure with her femininity as her ex-husband undermined her emotionally and verbally.

As fate would have it, handsome talented Dr. Briggs buys a house on 5th Avenuel which happens to be two doors from Chelsie. The attraction is hot, steamy, and fast. The problems are many and varied.

Come along as Ian and Chelsie journey through the pitfalls of romance, insecurities, balancing careers, and raising children.

CHARACTERS, PLOTTING, AND DEVELOPMENT:

Ms. St. Claire created a story-line that felt very real. Ian has issues dealing with commitment after his wife's death. He has kept his sexual life separate from his everyday life. Chelsie is devastated when her husband leaves her for a younger woman. She has no self-confidence and is insecure in herself as a woman.

"...You'll want more, and I'll end up disappointing you, and you'll leave just like they all do. The only person I can be true to ---is myself."

Ms. St. Claire skillfully leads Ian and Chelsie through the many pitfalls, misunderstanding, and their children's emotions and brought them through to become independent secure people.

Ms. St. Claire created love scenes that burn and smoke. Ian and Chelsie's sexual attraction was hot, steamy and fast as Ian, a skilled lover, leads Chelsie to understand she is a beautiful, desirable, sexual woman.

"You're beautiful, sexy, and more of woman than I've ever known. One day, you'll believe me when I say it."

The plot and pacing was spot on as Ms. St. Claire brought all the many elements together in this book and created a cohesive story. The story-line kept my attention as I watched Ian and Chelsie come to terms with the issues and situations in their life.

RECOMMENDATION:

If you do not like steamy sex scenes, this book may not be for you. I recommend this book for young adults and adults due to sexual content. The story has a bit of a cliff hanger, however book 2 is available and picks up the story-line. This book will appeal to anyone that likes a steamy romance with a good story-line.

I received this book from the author in return for an honest book review.

Books reviews of any novel are dependent on the book review author's opinion; all book reviews on line under my name are my opinion.

ABOUT THIS AUTHOR:

Abbie St. Claire is an international best-selling author. She lives in her Houston, Texas and composes her steamy romances in her kitchen.

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Sabtu, 08 November 2014

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Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta

A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation’s 500th anniversary

When Martin Luther posted his “theses” on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war.

Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business—the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas.

But that wasn't enough—not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg’s printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire—it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years.

Publishing in advance of the Reformation’s 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism—the literal marketplace of ideas—into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.

  • Sales Rank: #83642 in Books
  • Published on: 2015-10-27
  • Released on: 2015-10-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.56" h x 1.19" w x 6.50" l, 1.00 pounds
  • Binding: Hardcover
  • 400 pages

Review
“A perceptive study of Luther’s ideas and the rise of a new print culture in Europe…. some regard [Luther] as the man who opened the floodgates of modernity, as a very modern man…. Mr. Pettegree does not attempt an explicit comparison, but the name that comes to mind is Steve Jobs, a person who transformed an industry and created his own brand in doing so.”�—The Wall Street Journal


“Insightful and fresh….an important story told with careful scholarship and elegant writing.”— National Catholic Reporter

“There is very little serious academic work that explicitly explores the role of printing in the rise of Protestantism.�Brand Luther�fills that gap. It is an insightful and highly scholarly book but it’s very readable at the same time. It is a well-researched book that provides deep analysis of the rise of Protestantism. It should be on university curriculums for history. It is a must-read for everyone interested in the history of Europe and religion. Pettegree’s scholarship is unmatched in its insight, scholarly value, and authority.”—The Washington Book Review�


“A remarkable story, thoroughly researched and clearly told, and one sure to change the way we think about the early Reformation.”—Washington Post

“Pettegree expertly guides us through Luther's years and achievements…. Most of all, though, Pettegree deserves credit for his fresh slant on the Reformation and his dynamic storytelling….And as this absorbing and illuminating book capably shows, after Luther, print and public communication—and indeed, religion—would never be the same again.”—Weekly Standard�

“Pettegree…shines light on an overlooked talent of [the Reformation’s] main progenitor…Brand Luther shows how Wittenberg’s most famous son took keen interest not only in the content of his books, but also in how they were manufactured, designed, and marketed.”—Christianity Today�

“Pettegree admirably presents Luther, warts and all. But in the final analysis, he asks whether printing created Luther and the Protestant Reformation or Luther created mass media through his shrewd manipulation and adaptation of the printing industry to his specific needs. This book argues both—it’s hard to separate one from the other since the rising success of printing as well as Protestantism seemed to go hand in hand. Well researched and well written, this essential book is for anyone remotely interested in Luther or early modern technology.” –Library Journal


"Well researched and well written, this essential book is for anyone remotely interested in Luther or early modern technology."—Sandra Collins, Byzantine Catholic Seminary Lib., Pittsburgh


“A cogent and authoritative overview of Martin Luther (1483-1546) and of the burgeoning printing industry that disseminated his ideas….An informative history of a man of ‘adamantine strengths and…very human weaknesses’ who incited a theological revolution.”- Kirkus�

“Authoritative and beautifully written, Pettegree’s book provides a radical take on a revolutionary figure.”- Bruce Gordon, Yale Divinity School, author of Calvin

“Andrew Pettegree draws on a lifetime’s scholarly engagement with the history of the book to offer us a fresh way of looking at Luther and his times.�Of all the many new books which will commemorate the momentous events of 1517, this will be one of the most original: not just a biography of Martin Luther, but a study which uses the printing industry as a lens through which to view his extraordinary achievement as writer and inspiration of the movement which reshaped European religion.”-Diarmaid MacCulloch, author of�The Reformation: A History�and�Christianity: The First Three Thousand Years

“This perceptive and engaging analysis of the German Reformation highlights the fruitful interweaving of Martin Luther’s skills as a preacher, writer, and publicist and the burgeoning printing industry. Pettegree’s lucid and persuasive account offers unparalleled insight into this outstanding early modern example of effective use of communication techniques that allowed Luther’s message to take hold.”-Karin Maag, Professor of History and Director, H. Henry Meeter Center for Calvin Studies, Calvin College and English editor and translator of�The Reformation and the Book�


“Andrew Pettegree brings his expert knowledge of the sixteenth-century book business to bear on the old crux of ‘printing and the Reformation.’ Many images of Luther will appear in the next few years, and this one is particularly intriguing. Pettegree’s Luther understood the importance of the new medium and the new format in which his message was expressed. He was not an artless voice declaiming against the whirlwind, as he sometimes portrayed himself. Rather he was an astute publicist for a message that he firmly believed was much greater than himself.”-Euan Cameron, Union Theological Seminary; author of�The European Reformation�


“Brand Luther�is an important recasting of the history of Martin Luther and the rise of the German Reformation. Without reducing the role of religious ideas or the power of personal faith, Andrew Pettegree demonstrates how Luther was able to harness and exploit the emerging power of print in order to broadcast his message of religious reform and ultimately bring about a transformation of European Christianity. Pettegree tells both sides of the story with equal vigour and understanding, moving between Luther the reformer, the relentless weaver of words, and the emerging forms of early modern media. The result is a book that does not just commemorate the Reformation but helps us to view its history in a completely different way.”-C. Scott Dixon, author of�Protestants: A History from Wittenberg to Pennsylvania�


“Brand Luther tells two tales. The first is an engaging biography of the German reformer Martin Luther. The second is a stimulating account of the first time the printing press helped shape a mass movement. Andrew Pettegree deftly combines these two stories to show how an abstract academic dispute grew into the Reformation that divided western Christendom. This is history-writing at its best!”-Dr. Amy Nelson Burnett, Paula and D.B. Varner Professor of History, University of Nebraska-Lincoln�


“Andrew Pettegree’s Brand Luther brings new excitement and insight to the persistent question of why Martin Luther’s calls for reform revolutionized western Christianity when earlier critiques had not.� Drawing on his deep knowledge of the Protestant Reformation and the early modern printing industry, Pettegree has crafted a compelling narrative that conveys the excitement, chaos, and uncertainty of the first decades of the Protestant Reformation.� In Pettegree’s incisive telling, the Reformation is just as crucially a “commercial revolution” as a theological one.� He presents Luther as an innovative, forward-thinking mover of the print industry whose mastery of the new medium of print transformed both Christianity and the business of printing.� Pettegree places the interactions among Luther, the emerging print industry, and the economic development of the city of Wittenberg at the center of the Reformation drama, returning a sense of suspense to a well-known story and emphasizing the fact that Luther’s success and long-lasting influence was never a foregone conclusion.”-Karen E. Spierling, editor, Calvin and the Book: The Evolution of the Printed Word in Reformed Protestantism

About the Author
Andrew Pettegree is a professor of modern history at the University of St. Andrews, where he was the founding director of the St. Andrews Reformation Studies Institute. He recently served as the vice president of the Royal Historical Society. His previous books include�The Invention of News,�The Book in the Renaissance, which was a�New York Times�Notable Book of 2010, and�Emden and the Dutch Revolt. He lives in Fife, Scotland.

Excerpt. � Reprinted by permission. All rights reserved.
***This excerpt is from an advance uncorrected proof***

Copyright�� 2015 Andrew Pettegree

Chapter 1

A Small Town in Germany

Like many of history’s most commanding personalities, Martin Luther was gregarious by nature. He was interested in people and loved to be in company. That was certainly a mercy, for in the second half of his life he was seldom alone. From the point in 1517 when he first registered on the consciousness of his fellow Germans, Luther was a controversial, divisive, charismatic, and inspiring figure; to some extent, he has remained so ever since. Those who came into his company seldom forgot the experience. Even in his early career the intense young monk attracted the interest of a number of influential figures who discerned in him a special talent. In later life, among his intimates, he inspired a passionate devotion. Thousands flocked to Wittenberg to hear him preach, or in the hope of attending his lectures. Those admitted to his circle of friends enjoyed the particular privilege of joining him at table, where Luther would relax and hold forth. This was Luther’s especial domain. The day’s labors past, he would sit with his friends and talk. Fueled by his wife’s excellent beer, conversation would become general, discursive, and sometimes unbuttoned. Often one of the more eager of his dinner companions would make a record of his master’s pronouncements; Luther, a university teacher for thirty years and used to being surrounded by note-takers, thought little of this.

Not all of what passed at table reads particularly well today. Luther was among friends and relaxed; he sometimes spoke to shock, and delighted in the outrageous. His jokes don’t always amuse us. But the Table Talk is also full of profound, though unstructured, theological observations and acute perceptions of contemporary society.[1]

It is curious that, in this great mass of words, Luther said so little about his own movement, the Reformation. Between 1517, when Luther first attracted public attention, and his death thirty years later, Luther and his followers reshaped their world. Western Christianity was split in two, as it turned out, permanently. Families, cities, and nation-states were forced to choose sides: whether to remain with the old church, or to follow Luther into schism and new patterns of worship and belief. All this Luther accepted with remarkable calm. His actions had been dictated by God: the path he had taken was shaped by a higher power. In that respect the remarkable life he had led was not of his own making, but the consequence of patient obedience to God’s command.

So it is left to us, in our more secular age, to reflect on the magnitude of Luther’s achievement; but also, the sheer improbability of it all Luther’s career was a monument to a towering talent, but it was also a pyramid of multiple improbabilities. There was nothing in the first thirty years of his life to suggest that here was an individual who would convulse a continent. It was extraordinary that a man who had built a steady and, for someone of his background, remarkably successful career within the church should suddenly repudiate both the institution and its spiritual leadership. It was even more extraordinary that he should survive to tell the tale.

When, at the height of the “Luther affair” in 1521, Martin journeyed across Germany to face the judgment of the German Empire at the Diet of Worms, he did so under guarantee of safe-conduct. Luther would be allowed to arrive and depart unharmed. But there were those among the emperor’s entourage who urged him to repudiate this promise and have Luther arrested and executed.[2] Such had been the fate of another heretic, Jan Hus, a century before, and it was the fate that many of Luther’s friends expected for him. Luther himself did not expect to leave Worms alive. That he had reached this climactic moment at all he owed to the stolid support of his own local ruler, Frederick the Wise, a devout Catholic who never left the old faith. He also, incidentally, owned one of Europe’s finest collection of relics, the sacred remains that lay at the heart of the theology of indulgence that Luther denounced with such vehemence. Curiously he had never met his turbulent professor; it may have been at the Diet of Worms that he cast eyes on Luther for the first time. Many contemporaries found Frederick’s protection of him unfathomable. Certainly without it Luther’s career as a reformer would have been stifled very quickly.

Luther owed his notoriety during these years to another of the Reformation’s extraordinary improbabilities: that a monk who into his thirtieth year had published nothing, and who shared the conventional education of other churchmen, should somehow reinvent himself as a writer and polemicist of astonishing power. More than that, in an age that valued prolonged and detailed exposition, complexity and repetition, it was astonishing that Luther should have instinctively discerned the value of brevity. Luther in effect invented a new form of theological writing: short, clear, and direct, speaking not only to his professional peers but to the wider Christian people. This revelation of style, purpose, and form was at the heart of the Reformation, as it will be at the heart of this book. And Luther achieved all this from a thoroughly incongruous place, a small, inconsequential market town on Europe’s eastern periphery, a place that to this point had scarcely figured in the annals of European history: Wittenberg. This was in many ways the greatest of all the improbabilities of the Reformation, for which Renaissance Europe had no precedent. Europe in the sixteenth century was a society of rising nation- states, full of intellectual vitality. Its cities, with their churches, universities, and the new printed books, were one of the greatest adornments of this culture. But little of this cultural and economic Renaissance had reached the sandy, underpopulated plains of northeastern Germany. When Martin Luther first made his way to Wittenberg in 1508, he was not impressed, a sentiment shared by most of the small number of people who recorded their recollections of this tiny border settlement.

Yet this is how it turned out. From the time that Luther settled permanently in Wittenberg in 1511, his fate and that of his new home would be permanently intertwined. Wittenberg would become Luther-town (Lutherstadt), a title it formally adopted in the twentieth century. Wittenberg was the heart of the Reformation, and it shared and mirrored Luther’s own transformation.

ON THE WHITE MOUNTAIN

When Luther first walked through the gates of Wittenberg, he would have found a modest settlement of some two thousand souls.[3] The great cities of Germany were up to thirty times this size; even in the locality, Wittenberg was dwarfed by Leipzig, the local trading hub, and Erfurt, the lively university city where Luther would spend his formative years. Wittenberg had first emerged as a settled place in the twelfth century, after a brutal struggle to eradicate the local Slavic population. To the settlers from the flatlands of Flanders called to repopulate the region, the gentle hills close to the Elbe seemed formidable enough. So they called their new home White Mountain, the Wittenberg, after the white sand of the hill and on the banks of the river, sufficiently shallow at this point for a ford. Over the next two hundred years this became a walled city, strong enough to defy a Hussite army during the Bohemian Revolt. But it never quite threw off the feeling of a frontier settlement, standing sentinel against the alien hordes. Significantly the largest cities in this part of Germany, Erfurt and Leipzig, were to the south and west, angled toward the cultured southern heart of the German Empire. It was from Erfurt that Luther had been dispatched to join the Augustinian cloister at Wittenberg, and he never quite forgot these daunting first impressions. He had found Wittenberg, he reflected some years later, on the edge of civilization, “in termino civilitatis.” Had it been only a little further east it would have been “in mediam barbariam,” in the middle of the barbarians.[4] Other visitors were equally unflattering. According to one traveler who experienced Wittenberg at about the time of Luther’s arrival, it was a poor, unattractive town, with old, small, ugly wooden houses, more like a village than a town.[5] Not surprisingly, when Luther’s views had stirred notoriety, these were sentiments his enemies were eager to echo. According to Johannes Cochlaeus, an early and dogged critic, Wittenberg was:

A miserable, poor, dirty village, in comparison to Prague, hardly worth three farthings: yes, in fact, it is not worthy to be called a town of Germany. It has an unhealthy, disagreeable climate; it is without vineyards, orchards or fruit bearing trees of any kind.�.�. dirty homes, unclean alleys; all roads, paths and streets are full of filth. It has a barbarous people who make their living from breweries and saloons, and a body of merchants not worth three cents.[6]

George, Duke of Albertine Saxony, enemy and rival to Luther’s own patron, Frederick the Wise, put it more succinctly. “That a single monk, out of such a hole, could undertake a Reformation, is not to be tolerated.”[7] Indeed, one of the reasons opponents so underestimated Luther at first was because they simply could not conceive anything of importance emerging from such a place.

NEW WEALTH AND NEW INVENTIONS

The comparative backwardness of Wittenberg in this era was all the more glaring because the German cities were regarded, with some justice, as among the greatest jewels of European civilization. In the fifteenth century Germany had become one of the powerhouses of the European economy. While the emerging nation-states of Spain, France, and England expended their gold in dynastic conflict, Germany enjoyed comparative peace. Germany had its emperor, a member of the Habsburg family, who certainly aspired to expand his authority; but the Habsburg lands were too dispersed, and crucially, the emperor’s own position depended not on heredity succession, but on election by a college comprised of the rulers of seven of Germany’s larger states. These were the elite among the three hundred rulers of Germany’s patchwork of small and tiny territories. Their borders were in constant flux. Saxony, where Wittenberg lay, could have been one of the largest but for a family tradition of partible inheritance that led to frequent divisions. Some of the grandest territories were held by bishops, true princes of the church such as the archbishop of Mainz, Albrecht of Brandenburg, a man who would play a large part in Luther’s story.

By the fifteenth century many of the largest cities had successfully repudiated the authority of any neighboring prince: these were the imperial free cities. Nuremberg, the greatest of them all, had a considerable territory of its own; in southern Germany it coexisted in friendly rivalry with Augsburg, center of the German banking industry. Augsburg was also southern Germany’s major news hub, a crucial staging post on the imperial post road linking Germany, Italy, and the Low Countries.[8] To the north lay Hamburg and L�beck, leaders of the venerable Hanseatic League of Baltic trading towns; to the west Cologne, Strasbourg, and Basel were strategically located on the Rhine, the great communication and transport artery that linked the rich trading towns of Flanders with Italy to the south. It was the connection with Italy across the perilous Alpine passes that was the lifeblood of Germany, for Italy was the gateway to Asia and its precious cargoes of spice and silks. The greatest benefits of this international trade were confined to the great imperial towns of the south and west; at the turn of the sixteenth century very little of this luxury trade would have found its way to the chilly northern plains of Thuringia and Saxony, where fish and grain dominated the local markets.

In the second half of the fifteenth century the sophisticated markets of Flanders, Italy, and southern Germany began to deal in a new branch of trade: the commerce in printed books. When in the mid-1440s a dogged Mainz entrepreneur called Johannes Gutenberg began to experiment with new ways to mass-produce books, it was by no means clear that this was an invention the world really needed. Europe already had a highly developed book trade, volumes lovingly hand-copied from manuscript to manuscript. Consumers and collectors would seek out their manuscripts from the best and most famous copy shops, or take their texts to the local scribe: this was a very flexible market. The trade in manuscripts would continue to flourish for many years after Gutenberg first exhibited pages of his printed Bible at the Frankfurt Fair in 1454.[9] Gutenberg’s Bible certainly attracted a great deal of attention and quickly sold out. But it also bankrupted him. It was the last major project in which he would be involved.

Gutenberg’s story, one of technological fascination and financial failure, would be disturbingly characteristic of the first seventy years of printing.[10] As news of his great achievement spread, princes, bishops, or town councils all wanted to have a press in their territory. Printing spread quickly through Germany, Italy, and France, and thence more haltingly to Europe’s periphery: Spain, England, and Scandinavia. But most of these ventures, unsuitably located in small cities away from the major centers of population, closed after publishing only a handful of titles. It took some time for the fatal flaw in the business model to become apparent. It was comparatively simple to print some three hundred, five hundred, or even a thousand copies of a printed text. But the manuscript book trade, essentially a retail business linking one text with one purchaser, gave no hint of how such quantities could be sold in a marketplace spread all over Europe.

The answer, painfully derived after thirty years of expenditure and failure, was to be guided by those who had this sort of experience: the wealthy merchants who dominated Europe’s transnational luxury trades. These were the men who knew what was necessary to make the new trade work: raising capital for the necessary investment and transporting books in bulk to major markets, where they could be traded, often by exchange, for other consignments of books. They knew how to arrange storage for many hundredweight of paper until an edition could be disposed of, and how to handle the complicated loans and exchange transactions necessary in any capital-intensive industry.

So the book trade contracted. Although books were at some point in the fifteenth century printed in more than two hundred places around Europe, two thirds of them were produced in only twelve cities. All of them were large commercial centers, strategically situated in Europe’s major trading places: six in Germany, four in Italy, and two in France.[11] This iron geography of book production would prove remarkably enduring. Of the twelve great printing towns of fifteenth century Europe, none were smaller than thirty thousand inhabitants. This was true also of the two sixteenth-century latecomers to the printing elite, London and Antwerp.

It was a world that should have had no place for little Wittenberg. And initially this was exactly how it turned out. The experimental age of printing, the fifteenth century or incunabula age, passed Wittenberg by altogether. Such books as the inhabitants of the small city required, and this was not many, could have been purchased in nearby Erfurt and Leipzig, both of which had a lively early printing industry. The first printing press was not established in Wittenberg until 1502, as a service to the new university. Most university towns had a press of their own, but this was hardly a flourishing venture. It was probably only the determination of Wittenberg’s ruler, Frederick the Wise, that his capital should have the appropriate accoutrements of cultural sophistication that allowed it to stagger on.

Yet within the next fifty years Wittenberg would defy all the rules of the new print economics and become a center of the book world. This was almost entirely due to Martin Luther: his notoriety, his passionate following, and his uncommon talent as a writer.

This book tells the story of how a new revolutionary movement was incubated in a tiny, remote city and quickly took Germany by storm. It is not just a story about books. Luther and his friends used every instrument of communication known to medieval and Renaissance Europe: correspondence, song, word of mouth, painted and printed images.[12] Many people adhered to the new movement when they first heard Luther speak; others were led to the evangelical message by those who emerged as leaders in the hundred or more German cities that adopted the Reformation. The Reformation took wing largely because its advocates grasped that the pulpit could be one of the most powerful organs of public information and persuasion available in sixteenth-century society. All that said, the Reformation could not have occurred as it did without print. Print propelled Martin Luther, a man who had published nothing in the first thirty years of his life, to instant celebrity. It was his genius to grasp an opportunity that had scarcely existed before he invented a new way to converse through books. In the process he changed Western religion and European society forever.

He also changed Wittenberg. Wittenberg, a town that had no printing at all before 1500, would become a powerhouse of the new industry, trading exclusively on the fame of its celebrity professor. And Wittenberg was not an isolated case. In many medium-sized and small German towns, the Reformation galvanized an industry that had withered after the first flush of overexuberant experimentation.[13]

All this Germany owed to Luther, and in this respect Wittenberg was a microcosm of a larger transformation. But it was in Wittenberg that it began, and began rather slowly, for at first the sleepy little settlement found it difficult to grasp the enormity of what was unfolding in its church and university. Luther, whose intuitive understanding of the power of print was one of the most remarkable aspects of his extraordinary personality, would have to intervene personally to ensure that Wittenberg developed a print industry that could match the huge demand for his work.

But that is for the future. Let us first take a little time to become acquainted with the city that Luther made, and that made Martin Luther. The best way to do this is in Luther’s company, for he was a congenial soul, though perhaps more so as the paterfamilias of mature years than as the intense young professor we first find hurrying through the streets of Wittenberg in 1513.

WALKING WITH LUTHER

In 1513 Luther had been definitively settled in Wittenberg for two years. Our walk with him will take the same path of a more famous walk that occurred four years later, as Luther strode through the town to pin up on the castle church his ninety-five theses: the event that would ignite the Reformation.

Or so tradition would have it. Fifty years ago a mischievous Catholic theologian suggested that the posting of the ninety-five theses was, in fact, a myth, a fable that grew up only when Luther became famous.[14] There were indeed no contemporary witnesses, or at least none that thought the event important enough to record.[15] This unwelcome intervention, not surprisingly, set off a storm of controversy. In one recent poll of the German public, the posting of the theses was voted the third most important event in Germany history, so it would be disconcerting indeed to think it did not take place. Personally I am inclined to believe the posting of the theses did take place, and to settle the question I will introduce evidence that emerged some years after Erwin Iserloh lobbed his hand grenade into the calm waters of Luther studies.[16] We will come to that in due course. In 1513 indulgences were far from Luther’s mind, and certainly he had no wish to challenge the church in which he was making a promising career.

Luther was just approaching his thirtieth birthday. The first contemporary images show a lean, earnest young man, dressed in the habit of the Augustinian order that he had joined eight years before. He lived in modest quarters on the third floor of the Augustinian monastery, at the very eastern end of the city. The community housed some thirty monks, many of who studied or had teaching duties in the university.[17] It was an intense, intellectual atmosphere, which no doubt suited Luther well, for he, too, was notably cerebral. In 1512 he had been promoted to professor, a distinction that earned him the important privilege of a heated room.

Luther’s destination this morning was the university, situated in the castle church at the furthest western end of Wittenberg. It is a walk of about half a mile from one end of Wittenberg to the other. This walk took in Wittenberg’s two main streets, which run parallel to the Elbe River on its northern shore and which then, as now, shaped the topography of the city. As he hurried to his duties, there would have been little to detain him. Luther was not at this point well-known to Wittenberg’s citizens; it was only in the following year, 1514, that he would begin regularly to preach to the townsfolk in the parish church. Wittenberg’s one parish church lay a few yards behind the main street, where the city broadened out to the north. This was the dwelling place of Wittenberg’s artisans and craftsmen, modest enough men who nevertheless dominated the city’s town government. For unlike the great imperial cities of Augsburg, Nuremberg, and Strasbourg, Wittenberg had no patrician elite of international merchants. This was a small community serving a modest agricultural commerce. Its beating heart was the marketplace, through which Luther would now quickly pass. Here, as elsewhere, this was a crowded place of market stalls, a hubbub of bawling tradesmen, live animals, and impatient customers.

Opposite the marketplace, on a corner of the road leading to the castle, was a building site. Here, on a huge corner plot, stretching back to the gate to the River Elbe, the artist Lucas Cranach was building a residence fit for Wittenberg’s most distinguished inhabitant. Cranach was one of a number of major figures drawn to Wittenberg by commissions to decorate the city’s most striking new building projects: the castle and castle church. But unlike Albrecht D�rer, Hans Burgmair, and others, Cranach had remained in Wittenberg as the elector’s court painter. This was only one of a number of ventures pursued by this enterprising and driven man, who in 1513 was well on the way to being Wittenberg’s major employer. At this point, he and the young professor striding past his new building would have had little connection. In the years to come, their partnership, built on a profound mutual respect and friendship, would shape the Reformation.

Luther was now five minutes from his destination, the castle church, where much of the formal instruction of the university was held. Or perhaps he was heading for the university library, recently settled in the castle itself. The castle was another new building, only completed in 1509, a monument to the determination of Wittenberg’s ruler, Frederick, to build a residence appropriate to his status as a prince of the Empire.

Frederick’s passion for building can be traced back to a crisis in the ruling dynasty at the end of the fifteenth century. In 1485 the lands of the Wettin Saxon dukes had been divided between two brothers, Ernest (Frederick’s father) and Albert. According to the strange Saxon custom, the elder brother, Ernest, decided how to divide the territories, and the younger, Albert, then chose which portion to take. Not surprisingly Albert chose the richest territories around Meissen, which also encompassed Saxony’s largest city, Leipzig. The inheritance of Ernest was more awkward, a long thin strip of territory with no natural center, and with Wittenberg the only town of any size. But it was Ernest who received the real prize: the electoral title that made him one of the seven hereditary electors whose privilege it was to select the Holy Roman Emperor. When his son, Frederick, inherited these Ernestine lands in 1486, he determined to make something of this. Frederick was scrupulous in his attendance at every major meeting of the German assembly, the Diet. And he decided to make of Wittenberg a place fit for an electoral capital.

In 1486 the old residence was razed to the ground, and a new castle and church built in its place. This was a monumentally expensive project that would take twenty years to complete, for Frederick wanted a statement: a princely home built in the best Renaissance fashion, and a church to house his enormous and fast-growing collection of relics.

The church in which Luther now found himself would have been a cluttered place, home not only to the university but to a teeming array of altars and religious offices. Even before Frederick’s rebuilding, the All Saints foundation of the castle church possessed a precious distinction, a very rare indulgence that offered general remission from sins for all those who made an act of worship there on All Saints’ Day.[18] Such indulgences, which offered the prospect of forgiveness in the hereafter for sins that might otherwise impede the progress of a soul to paradise, would in due course attract Luther’s ire, but in the centuries before, they were wildly popular, both as a means of raising funds for local churches and among those who bought them. When the new castle church was dedicated in 1503 by Cardinal Raymond Peraudi, the pope’s roving emissary, he graciously bestowed new indulgences on the church and its visitors. The pope obligingly played his part, urging Germany’s cathedrals and churches to offer some of their relics for Frederick’s increasingly impressive collection. Relics—fragments of the bones of saints and other holy memorabilia—were another pivotal aspect of medieval piety, and the pious pilgrim earned further indulgence by gazing upon them. It is one�of the real curiosities of the Reformation that Frederick the Wise, at the same time that he stubbornly protected Luther from the consequences of his criticisms of medieval spirituality, also continued to add to his collection of relics. By 1520, when the latest inventory would be taken, it had reached 18,970 individual objects and was one of the largest in Germany. The most precious, rare items, such as a vial of the breast milk of the Virgin Mary and a twig from the Burning Bush, would be preserved in beautiful gold or silver cases.[19] When laid out for the benefit of pilgrims, the collection crammed eight aisles of the castle church. There would have been little teaching on All Saints’ Day, as pilgrims flocked to avail themselves of the 1.9 million days of indulgence that the assiduous visitor would gain from seeing them all. From 1509 there was a catalog, with 124 woodcut illustrations by Lucas Cranach, to guide them through the treasures.[20]

Even when the relics were not on display, this would have been a busy place. In 1517, as the accounts show, nine thousand masses were said at the various altars; forty thousand candles were lit in honor of the dead.[21] This was big business, and if Luther had stopped off in the town church on his way home, he would have found things much the same. For the citizens of Wittenberg, however modest their houses and despite the sneering disregard of passing intellectuals, were not prepared to let the electors have everything their own way. Over the course of many years the town council had doggedly asserted its rights over the local countryside. Wittenberg had bargained and wheedled, taking advantage of the ebb and flow of ducal power to purchase important privileges: the right to mint coins, the power to exercise justice. Its trade guilds had poured money into their own institutions, not least the sacred societies that sponsored masses for the souls of dead members. So Wittenberg’s parish church was also full of altars and side chapels, employing a small horde of priests praying continuously for departed souls.

This, in 1513, was Luther’s world: a town of 384 dwellings, far away from the main centers of culture and sophisticated urban life in Germany, Flanders, and Italy. Its new university, founded in 1502, was scarcely one the brightest lights in Europe’s intellectual firmament, like the venerable medieval institutions at Paris and Bologna, Louvain and Cologne. This was actually the smallest place in which Luther had ever lived, and he never quite shed a sense of its essential provincialism. But both the town and the university, profiting from the patriotic pride of the elector, had a fierce sense of identity. This was not a city torn apart by the sort of tensions between patricians and urban craftsmen that would so complicate the urban Reformation in much of Germany. Though Luther might sometimes yearn for the greater sophistication of larger cities, Wittenberg, in fact, provided an extremely sympathetic environment for his years of intellectual inquiry. When his cause became notorious, both the town and its rulers would cleave to him with a dogged loyalty.

THE INDUSTRY OF EDUCATION

Luther could not have made a Reformation—indeed he could not have survived—without the support he received in Wittenberg: from his fiercely protective elector, Frederick the Wise; from his colleagues in the university; from the citizens who from 1514 were the first to appreciate the extraordinary power of his preaching. Over the course of Luther’s life this loyalty would be richly rewarded. As Luther became the most famous man in Germany, so Wittenberg became a magnet for those throughout Germany and beyond who saw Luther as their spiritual leader and protector. Millions bought his published writings. By the time of Luther’s death in 1546, Wittenberg was transformed.

We will appreciate the scale of this transformation if we accompany Luther on a second walk through the town that he had now, perhaps reluctantly, come to see as home. The year is 1543, and Luther still lives at the Augustinian house. But there are now no monks: they were cleared out within a few years of Luther’s repudiation of the pope, victims of a new theology that denied the existence of purgatory and thus cut the spiritual roots of the monastic life of prayer. The rulers of Germany’s cities and princely states laid greedy hands on the monastic property that had previously dominated the landscapes and townscapes of Europe; in Wittenberg, a grateful elector passed the entire Augustinian house over to its most famous inhabitant. Today it is still the Lutherhalle, home to the magnificent museum devoted to Luther’s life and movement.

For some years Luther lived there alone, but by 1543 the house was once again teeming with life. In 1525 Luther, no longer bound by his monastic vows, had taken a wife. This event, the marriage of a former monk to Katharina von Bora, a former nun, had scandalized Christendom, and confirmed all the worst fears of Luther’s growing band of critics. Had the unity of the Western Church been sacrificed to the lusts of one man? But this scandalous union brought Luther enormous personal happiness. Children followed, and Luther found contentment as well as new spiritual insights in his role as paterfamilias. Katharina also proved an astute manager, presiding over a household now filled with students and lodgers, the more privileged of whom would join Luther at table, drinking in his conversation.

Luther’s progress through the town on this occasion is unlikely to�have been as rapid. The lean, purposeful monk of 1513 is a distant memory; Luther’s figure is a testament to years of sedentary occupation and hearty food (Katharina ran a very successful market garden as well as her brewery). Besides, Wittenberg is now a crowded place, crammed with students and the professors who instruct them. It is unlikely Luther could have traveled far without someone stopping to greet him. A few yards along College Street is the home of his friend, Philip Melanchthon. Luther ranked it among his greatest achievements to have lured Melanchthon to Wittenberg. For years he fretted that another university might tempt him away, and in the years after the storm first erupted over indulgences he reproached himself bitterly that his impetuosity might have allowed Leipzig, the despised local rival, to induce the temperamentally conflict-averse Melanchthon to move on. But Melanchthon was a loyal friend as well as a brilliant scholar. This partnership of opposite temperaments was the foundation stone on which the churches of the Reformation would be built.

At the end of College Street Luther would find himself once again back in the marketplace. Here the transformation wrought in Wittenberg is most visibly apparent. As Luther enters the square, on the southeastern corner, he would pass the Eagle, a substantial inn established in 1524 to house and refresh the host of merchants and distinguished visitors for whom Wittenberg was an essential part of their itinerary.[22] At�the southwest corner Lucas Cranach’s large factory dwelling was now�complete, an immense complex of eighty-four rooms. Between, at Markt�4, lay another Cranach residence, the present day Cranach House, a magnificent structure on four floors in the new Renaissance style.

The Cranach House looked down on a scene of busy commerce. On the other side of the square lay the new town hall, the Rathaus. The old, rather modest building familiar from Luther’s first years had been demolished in 1521, and a new larger civic center constructed, as the town reinvested the first fruits of its new prosperity. In some respects the town elders acted too hastily, before the full extent of Wittenberg’s commercial renaissance had become clear. This new town hall lasted less than fifty years, and was replaced in 1573 by the more confident and monumental structure that dominates Wittenberg’s central square today. Now this is an impressively open space; in 1543 it would have been filled with market stalls, including a row of semipermanent booths erected between the town hall and the parish church.

For by 1543 Wittenberg was packed; in fact, it was seriously overcrowded. The influx of tradesmen, merchants, and especially students was almost more than the city could bear; in some years students made up a third or even half the population.[23] The result was a significant increase in the prices of food, clothing, and accommodation. Property owners remodeled their houses and built extra stories to meet the demand for additional rooms. The open spaces within the city walls were now largely built over, and wooden houses had been rebuilt in stone. Like most communities, Wittenberg was happy to flaunt its new wealth.

Most likely Luther would have been happy to slip away from the hubbub of the market and take refuge in the nearby parish church. This, rather than the castle church at the other end of town, was now his spiritual home. It was here, in 1514, that he had first begun to assert his extraordinary influence over Wittenberg’s citizens, in sermons of mesmerizing power and passion. In 1543 he now shared these preaching duties with his great friend, Johannes Bugenhagen.

To Wittenberg’s older residents the church would have been virtually unrecognizable from thirty years before. Particularly in its interior architecture, the impact of Luther’s Reformation was quite unmissable.�Gone were the numerous side altars, with their priests celebrating Mass and the constant mumbling of propitiatory prayer. Instead all spiritual energy was concentrated on the central worship service. The church’s furnishing was remodeled to reflect the new shape of congregational worship, built around prayer, Bible reading, the singing of hymns, and preaching. Since Wittenberg, rather unusually for a town of this size,�had only one parish church, the Sunday worship service would in effect have been a gathering of the whole community. Here they would have heard Luther preach as many as four thousand times in his thirty years as their minister. A privilege for which admirers would journey many miles was part of the everyday experience of Wittenberg’s citizens. It helps explain the remarkable influence Luther exercised in his own community.

Luther’s role as city preacher to some extent eclipsed the importance�of the castle church, particularly when the elector was not in residence. Frederick the Wise had passed away in 1525, still stubbornly clinging to both his traditional Catholic faith and his celebrity professor. But under Luther’s influence his wondrous collection of relics was quietly packed away; from 1522 they were no longer exhibited, and pilgrims were forced to go elsewhere for the promise of salvation. Frederick’s successors, his brother John (who ruled from 1525 to 1532), and nephew�John Frederick (from 1532 to 1547), were if anything even firmer�in their support for Luther; in this he had been fortunate indeed. By 1543 Luther’s trips outside Wittenberg were usually concerned with service to the electoral family or with preaching to them in their other residences.

So leaving the parish church Luther would have been unlikely to have bent his steps to the castle; he might instead have turned right, away from the river and into the residential area to the north. This was where most of Wittenberg’s printers had established their premises. Luther took a keen interest in the publication of his books, and nowhere was the transformation of Wittenberg more dramatically demonstrated than in the teeming mass of printers, booksellers, and bookbinders that filled the workshops of this busy quarter.

In 1513, when we first followed Luther through Wittenberg, he would not have had to go far to visit Wittenberg’s printers, since the university print shop was situated in the immediate vicinity of the Augustinian monastery. This was the only printing press in operation at that time. That year, it published just ten works, all in Latin, and all for the students and professors of the university: copies of orations, textbooks, and the like.[24] Even though the printer, Johann Rhau-Grunenberg, was notoriously slow, the surviving books would not have kept his press busy for more than a small portion of the year.[25] In 1543, in contrast, Wittenberg sustained six busy shops, between them responsible for some eighty-three editions. Of these, half were in German and half in Latin; most of the copies would have been destined for export. With the swarm of ancillary workers involved in the trade, wholesalers, bookbinders, carters, and merchants responsible for the complex monetary transactions of long-distance commerce, publishing was undoubtedly one of the largest industries in this thriving city. Its most successful figures, such as the publisher Moritz Goltz, were among the richest inhabitants of the town.[26]

The bare statistics capture only a part of this transformation, but they are nevertheless striking. Between 1502 and 1516, five successive printers published a total of 123 books, an average of 8 a year.[27] All were in Latin and most very small. None of the printers seem to have made much of a living out of this. This was an industry teetering on the brink of viability, probably sustained only by direct subsidy from the elector and the university.[28] Between 1517 and 1546, on the other hand, Wittenberg publishers turned out at least 2,721 works, an average of 90 per year.[29] This represents around three million individual copies, and includes many of the milestone works of the era, not least multiple editions of Luther’s German Bible.

This vast blossoming of what was essentially a new industry was entirely due to Martin Luther. One in three of all the books published during these three decades were Luther’s own works and another 20 percent were those of his Wittenberg colleagues and followers.[30] Even in 1543, when the passions of the first years were a distant memory, half the books published were written either by Luther or Philip Melanchthon. And the Luther effect proved enduring. Even after his death, the industry continued to grow, reaching 165 new editions in 1563 and over 200 annually in the last decade of the century. Wittenberg was now Germany’s largest publishing center, eclipsing established centers of the book trade like Strasbourg and Cologne, overtaking even mighty Augsburg and Nuremberg.[31]

Thanks to its favorite son, Wittenberg had subverted the iron economics of publishing, the apparent requirement that major production centers could only be located in Europe’s principal commercial cities. This was a transformation that seemed to many contemporaries quite miraculous, among them Luther himself, who could never quite fathom his own extraordinary popularity as an author. Naturally he gave the credit to the direct intervention of a beneficent deity: printing, he believed, was technology heaven-sent to spread God’s word and banish error. In fact, as we shall see, the emergence of Wittenberg as a publishing giant was far from straightforward. For several years after Luther’s bold challenge first sent shock waves through Germany, most of his works were published elsewhere. Wittenberg’s printers—in the first instance, Wittenberg’s sole printer, Rhau-Grunenberg—were seemingly overwhelmed by the astonishing appetite for their local prophet. It took several years, and Luther’s direct intervention, before an industry could be�constructed to ensure that the publication of Luther’s works could be marshaled within his own city. In the process these newcomers helped develop the distinctive look that forever shaped the image of Luther in the wider world and radically changed the readership of the book industry.

This transformation, essentially the story of this book, is in reality three transformations: of Luther, the intense monk, into a best-selling author; of the book industry, shaken from its roots in a scholarly, Latinate book world by the emergence of a mass market; and of Wittenberg. For this was the town that Luther made, and the electric bolt to the local economy would be replicated by a rippling echo of smaller transformations as other of Germany’s cities shared in the booming demand for a new type of literature.

Martin Luther was a theologian of great insight, a charismatic leader and preacher, a writer of great passion and skill. But he was also, without any doubt, the chief motor of the Wittenberg economy. Nothing else could have made this small, peripheral city into the print capital of Gutenberg’s homeland; but this, for around eighty years after 1517, was�Wittenberg’s unlikely fate. It is these two stories, the spiritual and theological, and the economic and commercial, that need to be woven together to understand the extraordinary impact of the Reformation. In�this way, Wittenberg, the small border town perched on the edge of civilization, would share with Luther responsibility for igniting one of the great transforming movements of the last millennium.



------------------------------

[1] For an evocative selection, see Martin Luther, Table Talk, ed. Theodore G. Tappert, LW 54. Over the years, twelve different men were involved in recording the Luther’s dinnertime utterances, which accounts for the record’s somewhat uneven quality.

[2] For a speculation as to what might have happened had Charles V followed this advice, see Andrew Pettegree, “The Execution of Martin Luther,” History Review (March 1996), 20–25, now available online at http://www.historytoday.com/andrew-pettegree/execution-martin-luther.

[3] This section draws heavily on Helmar Junghans, Wittenberg als Lutherstadt (Berlin: Union Verlag, 1979) and E. G. Schwiebert, Ph.D., Luther and His Times: The Reformation from a New Perspective (St. Louis: Concordia, 1950).

[4] WATR II, n. 2800b, III, n. 3433. Quoted in Maria Grossmann, Humanism in Wittenberg, 1485–1517 (Nieuwkoop: De Graaf, 1975), 36.

[5] Friedrich Myconius, quoted in C. Scott Dixon, Protestants (Chichester: Wiley-Blackwell, 2010), 10.

[6] Ernest G. Schwiebert, “The Electoral Town of Wittenberg,” Medievalia et Humanistica (1945), 99–116, here 108. Cochlaeus was writing in 1524. The sentiment that this was more of a village than a town, and emphasizing the poor state of the local houses, was something of a commonplace, and remarked by friends as well as enemies. See Schwiebert, Luther (citing Myconius and Melanchthon).

[7] Schwiebert, “Wittenberg,” 108–9.

[8] Wolfgang Behringer, Im Zeichen des Merkur: Reichspost und Kommunikationsrevolution in der Fr�hen Neuzeit (G�ttingen: Vandenhoeck & Ruprecht, 2003).

[9] The production of manuscripts seems to have peaked around 1480, thirty years after the invention of printing. Uwe Neddermeyer, Von der Handschrift zum gedruckten Buch: Schriftlichkeit und Leseinteresse im Mittelalter und in der fr�hen Neuzeit: quantitative und qualitative Aspekte (Wiesbaden: Harrassowitz, 1998). On Gutenberg see Albert Kapr, Johann Gutenberg: The Man and His Invention (Aldershot: Scolar Press, 1996).

[10] Andrew Pettegree, The Book in the Renaissance (London and New Haven: Yale University Press, 2010).

[11] Augsburg, Nuremberg, Cologne, Strasbourg, Basel, and Leipzig; Rome, Venice, Florence, and Milan; Paris and Lyon. Figures and analysis drawn from the USTC.

[12] For this variety of means of conversion, see especially Andrew Pettegree, Reformation and the Culture of Persuasion (Cambridge: Cambridge University Press, 2005).

[13] Below, chapter 12. Christoph Reske, Die Buchdrucker des 16. und 17. Jahrhunderts im deutschen Sprachgebiet: auf der Grundlage des gleichnamigen Werkes von Josef Benzing (Wiesbaden: Harrassowitz, 2007).

[14] Erwin Iserloh, Luthers Thesenanschlag: Tatsache oder Legende? (Wiesbaden: Steiner, 1962). For an English introduction see Iserloh, The Theses Were Not Posted: Luther Between Reform and Reformation, trans. Jared Wicks (Boston: Beacon Press, 1968).

[15] Joachim Ott and Martin Treu, eds., Luthers Thesenanschlag—Faktum oder Fiktion (Leipzig: Evangelische Verlagsanstalt, 2008).

[16] Below, chapter 3.

[17] In 1516 Luther enumerated the residents of the house as twenty-two priests and�twelve novices: including servants, forty-one persons in all. WABr I, 72–73. Letters I, 28.

[18] Known as a Portiuncula indulgence after the church near Assisi first granted such a valuable privilege.

[19] Paul Kirn, Friedrich der Weise und die Kirche (Leipzig: Teubner, 1926; repr., Hildesheim: Gerstenberg, 1972).

[20] Dye Zaigung des Hochlobwirdigen Hailigthums der Stifftkirchen aller Hailigen zu Wittenburg (Wittenberg: Symphorian Reinhart, 1509). USTC 641851. For a list of the woodcuts see F.W.H. Hollstein, German Engravings: Etchings and Woodcuts, ca. 1400–1700 (Amsterdam: Hertzberger, 1954–), VI, 72–76.

[21] Junghans, Wittenberg als Lutherstadt, 51.

[22] Since 1720, the Golden Eagle, and still a splendid and atmospheric hotel. See http://www.goldeneradler-wittenberg.de/index.php?link=Hotel.

[23] Junghans, Wittenberg als Lutherstadt, 107–9.

[24] USTC. See also Maria Grossmann, Wittenberger Drucke 1502–1517: Ein bibliographischer Beitrag zur Geschichte des Humanismus in Deutschland (Vienna: Krieg, 1971).

[25] The surviving books account for only seventy days work; even allowing for the numerous saints’ days this implies that it was working at around one-third capacity.

[26] Vicky Rothe, “Wittenberger Buchgewerbe und –handel im 16. Jahrhundert,” in Heiner L�ck et al, eds., Das ernestinische Wittenberg: Stadt und Bewohner. Wittenberg-Forschungen, 2.1 (Petersberg: Michael Imhof, 2013), 77–90

[27] Grossmann, Wittenberger Drucke.

[28] The largest books published certainly benefited from the elector’s financial support. Below, chapter 2.

[29] USTC.

[30] USTC. See also, for a survey based on more rudimentary statistical data, Martin Edwards, Printing, Propaganda, and Martin Luther (Berkeley: University of California Press, 1994).

[31] The figures are computed from the USTC.

Most helpful customer reviews

10 of 11 people found the following review helpful.
The Undeniable Influence of Luther
By Dr. David Steele
How can an unpublished, obscure Roman Catholic monk move from the shadows to the world stage in a matter of years. This is the subject of Andrew Pettegree’s book, Brand Luther. Pettegree walks meticulously through the events of the Reformer’s life; events that would mark a nation and rock the world. This is Brand Luther.

The author sets the stage by alerting readers to Luther’s fascinating background. From his birth in Eisleben to his university days in Erfurt, and his teaching days at in Wittenberg, Pettegree establishes Luther’s cultural context along with vivid allusions to the theological landscape. Ultimately, his design is to show how Luther rises to prominence in a most unusual way.

Brand Luther is unique in that it captures the pathos of the 16th century. The author delves into matters that pertain to culture, theology, economics, and personal emotion - to name a few. The author has an uncanny ability of navigating readers on the path that Luther walked and placing them in the emotional state he experienced and the physical ailments he endured. The turmoil that Luther felt and the threat of impending death looms like London fog on a cold autumn evening.

The author argues that Luther’s writing along with the establishment of the printing press are integral to his success, not to mention the gains of the Protestant Reformation: “Many things conspired to ensure Luther’s unlikely survival through the first years of the Reformation, but one of them was undoubtedly print.” The book is filled with evidence that points in this direction which bolsters the author’s thesis along the way.
Brand Luther is a serious work of history which spans nearly 400 pages but the book reads like a novel - quite an accomplishment for a scholarly work!

Essential reading for students of the Reformation!

8 of 9 people found the following review helpful.
A New Perspective
By 'Yomi 'Segun Stephen
Many have written about the spiritual aspects of Martin Luther’s rise. Much more have debated his 95 theses against the indulgences and its staggering influence on modern world. Some of these perspectives often make simplistic assertions about the Reformation. Most of the time, they portray it like an overnight, not-a-lot-of-work-involved, Holy Spirit-inspired phenomenon.

Brand Luther, however, takes a different view of the happenings surrounding the Reformation of 1517. This book looks at the Reformation mostly through mundane eyes. It looks through capitalist and economic lenses to decode the hidden fires that kindled the Reformation to an unstoppable inferno that spread throughout the world. It examines the effect of Gutenberg's creation (the printing press) on the propagation of Luther’s beliefs. Also, it reveals how Luther's unremarkable background contributed to the rise of his ideas.

First of the ironies surrounding of Luther's rise is that he lived in Wittenberg, a town with no significant allure to draw large commerce or fame to it. Wittenberg, is said to be a "… a poor, unattractive town, with old, small, ugly wooden houses, more like a village than a town." Even the age of printing almost passed Wittenberg by. Though the printing press had been in existence since the 1440s, the first printing press in Wittenberg was not established until 1502. Yet "… within the next fifty years Wittenberg would defy all the rules of the new printing economics and become a center of the book world. This was almost entirely due to Martin Luther: his notoriety, his passionate following, and his uncommon talent as a writer."

Secondly, Martin Luther understood the power of uniqueness. The he branded his books was different from other books. It is said that Lucas Cranach, a court painter in Wittenberg "... clothed Luther's works in a new and distinctive livery, immediately recognizable on a crowded bookstall. The result was the development of a form of book that was itself a powerful representative of the movement - bold, clear, and recognisably distinct from what has gone before."

Also, Martin Luther's family background as a mining household and his parents’ influence, instilled in him a sense of shrewdness in financial and business matters. With this mind-set, it is said that "… when Luther walked into a printing shop, he did not do so as the naive academic who imagined that the creative process ended with the completion of his manuscript, but as a practical man, well-grounded in the harsh economics of profit and loss, and the disciplines and dangers of a business run on credit. This would be, from the standpoint of the reformation, a lesson well learned." This perspective also helped Luther in putting his books in the hands of powerful people as well as in public spaces, where they can have loads of impact.

It is important to note that the famous 95 theses against indulgences is not Luther's first attack against the Catholic Church’s excesses. He had published a thesis against Scholasticism (an idea based on promoting the works of people like St Augustine over Aristotle’s in the universities) years before. But Luther’s scholasticism publication failed to effect any significant change. It is hard to say whether anyone even took notice.

Interestingly, "… when Luther penned the theses on Scholastic theology, he probably regarded them as far more daring and potentially controversial statement than the later theses on indulgences." However, his failed attempt was a useful lesson for him in later days to come.

Brand Luther by Andrew Pettegree has more examples of the little catalysts that helped Luther and the Reformation movement. The book reveals a human (or flawed) side of the Reformation movement. Though it is clear that God's hands were instrumental in directing Luther's life, the way it panned-out was almost mundane, which reflects the way God sometimes works.

Brand Luther is an incredible read for history buffs, especially those who want to wander off the popular narrative path to know what went on behind the scenes.

Many thanks to Penguin Press for review copy.

2 of 2 people found the following review helpful.
"Going viral" in the 16th Century
By Matthew Mitchell
Maybe you were one of those who paid more attention to the baseball scores than to confirmation class, or maybe you grew up outside the Lutheran church (like I did). With the 500th anniversary of the beginning of the Reformation coming next year, many of us faithful are thinking about brushing up on our church history. The new book Brand Luther might be just what you’re looking for.

Author Andrew Pettegree, a professor of Reformation Studies at St. Andrew’s in Scotland, tells the story of Luther and the revolution he started from the perspective of the printers who published his works. The tale may be set in the 16th century, but the collision of new media and savvy messenger will look very familiar to anyone who’s encountered the 21st century “going viral” phenomenon.

Before Luther’s challenge to the church hierarchy, printers made a modest but secure living publishing Latin texts for scholars and indulgence certificates for fund-raising clergy. In the five years following Luther’s first published exposition of his arguments in the Sermon on Indulgence and Grace, some two million copies of Luther’s various writings were published and sold, transforming the publishing industry. The total of books and pamphlets published in Germany doubled, printers’ shops flourished, and nearly all that growth could be attributed to Luther.

The partnership benefited Luther immensely too. Because he wrote in German for a lay audience as well as in Latin for the churchmen, and because he took advantage of the press to spread his word, ordinary people could read and understand his teachings. They gravitated to Luther’s side of the argument, and became a force that protected Luther from retribution (for fear that the populace would rebel against the Emperor if he harmed their pastoral leader). That wouldn’t have happened if Luther’s protest remained a theological argument conducted in Latin and not published for the masses.

And like modern media-fueled movements, sometimes they get out of hand. Pettegree explains how Luther inadvertently touched off the Peasants’ War in 1524 by giving discontented peasants a theological understanding that Christ’s salvation was for everybody, not just the elite. Brand Luther contains less detail about the later history of the Reformation than about its early years, though it’s still an excellent primer for those who want to learn more about the events that started to set the basic forms of today’s Christian denominations.

While it may not have been Petegree’s motivation, he deserves credit for heeding the Small Catechism and presenting all the characters in the best possible light, even Tetzel and the other indulgence-sellers. In that way, we can better see how and why history unfolded as it did. Likewise, the narrative of Luther as author and business partner to the publishers gives an insight into what Luther’s strategic thinking might have been, how he used the media to amplify his message, and how new-found fame may in turn have changed Luther. There is much more than just a who, what, where, and when here.

Brand Luther is a work of academic as well as popular history. The stories are engaging and the writing is excellent, but this book is not a light read. I spent several weeks with it, bogging down in the later chapters (the text weighs in at 338 pages). But if you are willing to make the effort to dig into it, Brand Luther will make Luther’s story come alive for you.

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Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta PDF
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta EPub
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta Doc
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta iBooks
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta rtf
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta Mobipocket
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta Kindle

Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta PDF

Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta PDF

Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta PDF
Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Sta PDF