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Fairy Tales and the Art of Subversion, 2nd Edition, by Jack Zipes
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The fairy tale may be one of the most important cultural and social influences on children's lives. But until Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives – their behavior, values, and relationship to society. As Jack Zipes convincingly shows, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture.
For this new edition, the author has revised the work throughout and added a new introduction bringing this classic title up to date.
- Sales Rank: #1424257 in Books
- Published on: 2006-04-15
- Released on: 2006-06-09
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .60" w x 5.98" l, .82 pounds
- Binding: Paperback
- 266 pages
About the Author
Jack Zipes is Professor of German at the University of Minnesota. An acclaimed translator and scholar of children's literature and culture, his most recent books include Hans Christian Andersen: The Misunderstood Storyteller and Speaking Out: Storytelling and Creative Drama for Children, both published by Routledge.
Most helpful customer reviews
11 of 11 people found the following review helpful.
For Academics
By abcphd
Critics of Jack Zipes on Amazon often fail to understand that he is not writing for a lay audience. His books are for serious academics -- folklorists, literary scholars, film theorists, etc. And, for those audiences, his work is absolutely indispensable. Zipes has done more for the theorization of folk and fairy tales than almost any other contemporary academic, and his name belongs in conversation with the likes of Alan Dundes, Maria Tatar, Linda Degh, et al. Unfortunately, from the reviews on Amazon it seems people are going in expecting Zipes to read more like Bettelheim, whose simplistic, reductive, and misleading interpretations of fairy tales have done more harm than good in the world of folklore scholarship.
As a folklorist interested in new historicist approaches to literature and film, I find Zipes' work to be canonical and useful for both my own research as well as for teaching undergraduates. My students have responded very strongly to both this book and "Breaking the Magic Spell," as well as select chapters from some of his other works. Zipes is definitely writing for a college level or above, but his prolific work has helped me provide my students with interesting and impactful introductions to difficult academic terrain (such as Marxism, feminism, ideology and inequality, media literacy, etc). The subject matter is familiar for students, which keeps them engaged as Zipes unpacks complex but essential social theory. Of all the books I teach with, students have told me they are most likely to hold on to Zipes at the end of the semester.
The Amazon reviews mostly reflect the experiences of people who were not prepared for the intellectual rigor of Zipes' work. This is not to say that Zipes doesn't deserve to be critiqued by other academics in his field (he does), but that the people who have written reviews of his works on Amazon seem to miss the point entirely. (Or maybe they just don't want to think about how Beauty and Beast is a classist, bourgeois fantasy designed to humanize the aristocracy in the eyes of an oppressed underclass before the French Revolution. After all, it IS much more comfortable to think that story is just an extension of the tepid 'appearances can be deceiving' theme).
If you are up for an intellectual read that challenges the way you think about stories you've known and loved (or hated) since childhood, then this book may be for you. If you want an easily-digestible and fun analysis of fairy tales that just reinforces what you already believe about them, look elsewhere.
15 of 29 people found the following review helpful.
Like lead clothing
By Christina Lynn Smith
This book had a lot to say, but I was hard pressed get through it. It was so filled with nominalizations and bloated sentences that it sounded pompous and full of itself. The sentences were weighty and boring, and ran on so long that I had a hard time figuring out what was happening inside that sentence.
An actual quote from this book: "It follows, then, out of necessity that we write our own texts to gain a sense not simply of what has happened in reality but also of what has happened on psychological, economic, cultural, and other levels to free ourselves of the dictates of the sociohistorical texts that have prescribed and ordered our thinking and need to be disordered if we are to perceive for ourselves the processes that produce social structures, modes of production, and cultural artifacts."
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