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A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments, by David Foster Wallace
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In this exuberantly praised book - a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner - David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.
- Sales Rank: #6330 in Books
- Published on: 1998-02-02
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.13" l, .89 pounds
- Binding: Paperback
- 368 pages
Amazon.com Review
David Foster Wallace made quite a splash in 1996 with his massive novel, Infinite Jest. Now he's back with a collection of essays entitled A Supposedly Fun Thing I'll Never Do Again. In addition to a razor-sharp writing style, Wallace has a mercurial mind that lights on many subjects. His seven essays travel from a state fair in Illinois to a cruise ship in the Caribbean, explore how television affects literature and what makes film auteur David Lynch tick, and deconstruct deconstructionism and find the intersection between tornadoes and tennis.
These eclectic interests are enhanced by an eye (and nose) for detail: "I have seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled what suntan lotion smells like spread over 21,000 pounds of hot flesh . . ." It's evident that Wallace revels in both the life of the mind and the peculiarities of his fellows; in A Supposedly Fun Thing I'll Never Do Again he celebrates both.
From Publishers Weekly
Like the tennis champs who fascinate him, novelist Wallace (Infinite Jest; The Broom of the System) makes what he does look effortless and yet inspired. His instinct for the colloquial puts his masters Pynchon and DeLillo to shame, and the humane sobriety that he brings to his subjects-fictional or factual-should serve as a model to anyone writing cultural comment, whether it takes the form of stories or of essays like these. Readers of Wallace's fiction will take special interest in this collection: critics have already mined "Derivative Sport in Tornado Alley" (Wallace's memoir of his tennis-playing days) for the biographical sources of Infinite Jest. The witty, insightful essays on David Lynch and TV are a reminder of how thoroughly Wallace has internalized the writing-and thinking-habits of Stanley Cavell, the plain-language philosopher at Harvard, Wallace's alma mater. The reportage (on the Illinois State Fair, the Canadian Open and a Caribbean Cruise) is perhaps best described as post-gonzo: funny, slight and self-conscious without Norman Mailer's or Hunter Thompson's braggadocio. Only in the more academic essays, on Dostoyevski and the scholar H.L. Hix, does Wallace's gee-whiz modesty get in the way of his arguments. Still, even these have their moments: at the end of the Dostoyevski essay, Wallace blurts out that he wants "passionately serious ideological contemporary fiction [that is] also ingenious and radiantly transcendent fiction." From most writers, that would be hot air; from one as honest, subtle and ambitious as Wallace, it has the sound of a promise.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
This collection of eight diverse articles, following on the heels of Foster's immense, popular novel, Infinite Jest (LJ 1/96), opens with "Derivative Sport in Tornado Alley," an autobiographical sketch that skillfully interweaves mathematics and tennis with the vicissitudes of Midwestern meteorology. A brilliant analysis of television's role in popular culture, a look at the Illinois State Fair, a review of filmmaker David Lynch, and a report on Wallace's week-long adventure on a luxury cruise are among the pieces that follow. Wallace's style is highly personal?some might say eccentric?but his writing is always intelligent, witty, and engaging. Libraries serving discriminating readers will want this book in their collections..?William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
37 of 38 people found the following review helpful.
Best Introduction to One of America's Finest Young Authors
By A Customer
"A Supposedly Fun Thing I'll Never Do Again" is a collection of seven essays originally published between 1992 and 1996. They range over a variety of topics and, while somewhat uneven in quality, demonstrate that David Foster Wallace is one of contemporary America's most intelligent and imaginative writers.
The best of the essays are two that were originally published in Harper's magazine, "Getting Away from Being Pretty Much Away from It All" and the title essay, "A Supposedly Fun Thing I'll Never Do Again".
In "Getting Away from Being Pretty Much Away from It All", Wallace relates a visit to the Illinois State Fair in 1993 in a style that alternates between intellectual ponderousness and hilariously obsessive description and commentary on the minutest details of his experience. Approaching his task with the wonder of a child, Wallace, in a passage illustrative of his style (or at least one aspect of it), reflects: "One of the few things I still miss from my Midwest childhood was this weird, deluded but unshakable conviction that everything around me existed all and only For Me. Am I the only one who had this queer deep sense as a kid?-that everything exterior to me existed only insofar as it affected me somehow?-that all things were somehow, via some occult adult activity, specially arranged for my benefit? . . . The child leaves a room, and now everything in that room, once he's no longer there to see it, melts away into some void of potential or else (my personal childhood theory) is trundled away by occult adults and stored until the child's reentry into the room recalls it all back into animate service."
Similarly, in the title essay, Wallace spends nearly a hundred pages describing a seven-night Caribbean cruise on a Celebrity Cruise Lines megaship. Wallace ponders the fantasy the Celebrity brochures are selling, wanting to believe "that maybe this Ultimate Fantasy Vacation will be enough pampering, that this time the luxury and pleasure will be so completely and faultlessly administered that my Infantile part will be sated." But it will not be, for, as Wallace relates in another ponderous/humorous philosophical musing: "But the Infantile part of me is insatiable-in fact its whole essence or dasein or whatever lies in its a priori insatiability. In response to any environment of extraordinary gratification and pampering, the Insatiable Infant part of me will simply adjust its desires upward until it once again levels out at its homeostasis of terrible dissatisfaction." It's like watching a show like "The Love Boat" filtered through a humorous Heideggerian lens.
In both essays, Wallace brilliantly and humorously captures his experience, writing obsessive and, at times, gut wrenchingly funny commentary on everything from the baton twirling competition at the Illinois State Fair (which had me laughing out loud while riding the exercise bike at the YMCA, drawing querulous stares) to the dangers of the vacuum sewage system on board the Celebrity cruise ship. And the humor is magnified, again and again, by footnote after digressive footnote, each microscopically elaborating Wallace's observations, commentaries and deductions.
Another outstanding essay is Wallace's piece on director David Lynch ("David Lynch Keeps His Head"). Originally published in Premiere magazine, it is an incisive examination of Lynch's films commingled with a typically zany journalistic relation of Wallace's visit to the shooting of Lynch's "Lost Highway" in 1995.
For anyone who has read Wallace's doorstop of a novel, "Infinite Jest", there is another essay here that is worth reading, "E Unibus Pluram: Television and U.S. Fiction". Here, Wallace provides an analytical view of how fiction has changed in the U.S. over the past forty years and how fiction has been influenced by pervasive cultural presence of television. It is an essay full of thoughtful musings, although I found it, at times, too long and disjointed to keep my full attention. If any piece in this collection deserves editing, this is it.
The other essays include a fascinating essay on Wallace's visit to a professional tennis tournament (and, in particular, Michael Joyce, "whose realness and approachability and candor are a big reason why he's whom I end up spending the most time watching and talking to"), a piece on Wallace's adolescent days playing competitive tennis in Illinois (and the way play was affected by the winds and geometry and so forth), and a short book review that delves into the long-standing topic of "the death of the author".
"A Supposedly Fun Thing I'll Never Do Again" is ultimately the best introduction to the writing of David Foster Wallace, a collection I strongly recommend to anyone interested in contemporary American fiction and this brilliant young writer.
87 of 100 people found the following review helpful.
Very good
By J.F. Quackenbush
David Foster Wallace is a gifted writer and always a joy to read. His fiction is groundbreaking, and as this book proves, his nonfiction may even be better.
"A supposedly fun thing" is a collection of essays that are ostensibly stabs at journalism, the big joke being that Wallace is no journalist. He comes off as an endearingly neurotic-bordering-on-pathologically-self-concious red headed step child of Hunter S. Thompson. In fact, it could even be stated that this book is a sort of postmodern inversion of "The Great Shark Hunt", where Thompson's diving in head first to live inside the events he reports is replaced by Wallace's endearing midwestern unwillingness to get in the way and fear of making a nuisance and/or humiliating spectacle of himself.
Mixed in with all that, though, are startling on point revelations about the state of American Culture, what it means to be an american, the nature of art, and the human condition, which one normally doesn't expect from works about TV, Tennis, State Fairs, or Carribean Pleasure Cruises(in the title essay).
While it may not be as great an accomplishment as Infinite Jest (and the comparison to that magnificent book is the only reason this is getting four stars instead of five), "Supposedly Fun Thing" is without a doubt an incredible read and well worth the price of entry.
76 of 89 people found the following review helpful.
When he's on he's on, when he's not he's not
By A Customer
I think David Foster Wallace is a brilliant writer, but can't really hit the target all the time. Either he is totally on top of something in describing it, or he writes himself into an intellectual loop that only he appreciates. When i read his stuff, i almost wonder if he is too intelligent for his audience, in that he tries to write about pop culture and similar themes that appeal to the average reader with such strength and knowhow that he seems like he's a genius stuck in a kid's mind and his descriptions of the kid's world can become too complicated for the kid to enjoy. That said, this book is well worth it, if not for the title essay on board a cruise ship which is hilarious then for the essay on amercian writing in the television age. There is a remark about irony in that essay which just blew my top off, it was great. The other notable essay is his "personal" review and account of a state fair, which is also equally funny. As for the others, i wasn't all that interested, in that i found them too wholly theoretical and dull. However, don't let this stop you, his writing is so original and fresh that its worth buying, not only for what it can give, but for what it exposes you to. Well worth it.
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